FRIDAY FAMILY FILM NIGHT

In which the Mister and I check out VERTIGO (1958), which we watched on DVD but you can find to buy/rent on Prime Video.  With a screenplay by Alec Coppel and Samuel A. Taylor, the film is directed by the legendary Alfred Hitchcock and comes from the novel "D'Entre Les Morts" by Pierre Boileau and Thomas Narcejac. Jimmy Stewart stars as John "Scottie" Ferguson, a retired police detective who finds himself caught in a dizzying whirlwind of love, lies and murder.  This film clocks in at 1 h 45 m and is rated PG-13.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and Monsters join me in reviewing THE USUAL SUSPECTS (1995), from writer Christopher McQuarrie, the film is directed by Bryan Singer. Five criminals, brought together by chance, soon discover their meeting was not mere coincidence but actually the first step in the master plan of an infamous crime lord. The film clocks in at 1 h and 50 m and is rated PG-13 and is streaming currently on Prime Video, Freevee, AMC+ and The Roku Channel. Please note there are SPOILERS in this review.

This episode goes out to Miss Stacey on her birthday - we hope it was as swell as you!

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and I check out THE MARVELS (2023), which is streaming on Disney+.  With a screenplay by Nia DaCosta, Megan McDonnell and Elissa Karasik, the film is directed by Nia DaCosta.   After an accident entangles Captain Marvel's powers with those of new heroes Ms. Marvel and Monica Rambeau, the three women must team up to save the universe from a vengeful enemy.  This film clocks in at 1 h 45 m and is rated PG-13.  Please note there are SPOILERS in this review.
Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Monsters join me in reviewing DAMSEL (2024), from writer Dan Mazeau, the film is directed by Juan Carlos Fresnadillo. Millie Bobby Brown stars in this fantasy film about a young Princess Elodie who upon marriage to Prince Henry (Nick Robinson) soon finds herself thrown into a life or death struggle against an ancient dragon (Shohreh Aghdashloo). Ray Winstone, Angela Bassett, Robin Wright and Brooke Casrter round out the cast and its streaming on Netflix. The film clocks in at 1 h and 50 m and is rated PG-13. Please note there are SPOILERS in this review. Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and I check out THE WIZARD OF OZ (1939), which is streaming on Max and to buy/rent on Prime Video.  With a screenplay by Noel Langley, Florence Ryerson and Edgar Allan Woolf, the film has directing credits attributed to Victor Fleming and King Vidor and comes from L. Frank Baum's book.  In this iconic MGM musical, young Dorothy Gale (Judy Garland) finds herself transported from Kansas to the magical world of Oz. With her new friends the Scarecrow (Ray Bulger), the Tin Man (Jack Haley) and the Cowardly Lion (Bert Lahr); she embarks on a journey to find her way home.  Frank Morgan, Billy Burke and Margaret Hamilton round out the cast.  This film clocks in at 1 h 42 m and is rated  G.  Please note there are SPOILERS in this review.

Happy belated birthday Uncle Leo - we love you!

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Monsters join me in reviewing MEAN GIRLS (2024), from writers Tina Fey and Rosalind Wiseman, the film is directed by Samantha Jayne and Arturo Perez Jr. In a movie that's based on a musical that's based on a far better movie a home-schooled girl finds herself thrust into the dog eat dog world of public high school where she must navigate the perils of staying true to herself or succumbing to the superficial lure of popularity. The film clocks in at 1 h and 52 m and is rated PG-13. Please note there are SPOILERS in this review. Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and I check out DREAM SCENARIO (2023), which is streaming on Max and to buy/rent on Prime Video.  Written and directed by Kristoffer Borgli, the film tells the story of Paul Matthews (Nicolas Cage), a remarkably, uncharismatic, bland man who finds himself at the center of the world's attention after he unexpectedly begins appearing in people's dreams. This film clocks in at 2 h 10 m and is rated  R.  Please note there are SPOILERS in this review.

This episode of the podcast is dedicated to my Covenant House Sleep Out donors:

Marsha N

Stacey A

Jamie B

Angie K

Alex S

The Ferriers

KT W

Deanna C

Terry S

Scott W

Nancy M

Rashema R

Naz S

Che A

Margot W

Jack M

Veli R

So much gratitude to all of you!

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and Monsters join me in reviewing THE GREATEST SHOWMAN (2017), from writers Jenny Bicks and Bill Condon, the film is directed by Michael Gracey. A poor young man grows up to become the famed P.T. Barnum (Hugh Jackman ) in this musical biopic on the man who crafted the art of the spectacle through his sensational presentations of oddities.  Michelle Williams, Zac Efron, Rebecca Ferguson and Zendaya round out the primary roles in the story and include music from Benj Pasek and Justin Paul who went on to win Academy Awards for their music in LA LA LAND.  The film clocks in at 1 h and 45 m and is rated PG.  Please note there are SPOILERS in this review.

This episode of the podcast goes out to Miss Angie - happy belated birthday my friend!

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and I check out THE BIG SHORT (2015), which is streaming on MGM+ and Paramount+ and to buy/rent on Prime Video but we caught this on the Hoopla App.  From a script by Charles Randolph and Adam McKay; this is based on Michael Lewis' novel of the same name. Adam McKay directs an all star cast in this funny, entertaining and incredibly frustrating look at the true story behind the 2008 global financial crisis that almost destroyed the world's economy. This film clocks in at 2 h 10 m and is rated  R.  Please note there are SPOILERS in this review.

This episode of the podcast is dedicated to JWR - Happy Birthday James!

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and Monsters join me in reviewing ROAD HOUSE (2024), from writers Anthony Bagarozzi, Chuck Mondry and R. Lance Hill, the film is directed by Doug Liman. A former MMA fighter named Dalton (Jake Gyllenhaal) with a dark past becomes the bouncer at a violent roadside bar in Florida and has to face off with some bland baddies in this poorly conceived remake of the 1989 Patrick Swayze classic. The film clocks in at 2 h and 1 m and is rated R for violence, language and some nudity. Please note there are SPOILERS in this review. 

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and I check out A SIMPLE FAVOR (2018), which is streaming on MGM+ and Prime Video and to buy/rent on Prime Video.  From director Paul Feig and a script by Jessica Sharzer, this is based on Darcey Bell's novel of the same name. After her son's playdate with the child of the neighborhood's most impressive and intimidating mom (Blake Lively) a woman (Anna Kendrick) finds herself in the center of a web of lies, mystery and murder. This film clocks in at 1 h 57 m and is rated  R.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and Monsters join me in reviewing ROBOT DREAMS (2023), from writers Gene Stupnitsky and John Phillips, the film is directed by Gene Stupnitsky.  In this somewhat raunchy comedy, a 30-something year old woman, Maddie (Jennifer Lawrence) is desperate to save her childhood Montauk home and answers an online ad from a pair of concerned parents who will give her a car if she can covertly seduce their introverted 19-year old son, Percy (Andrew Barth Feldman), before he heads off to college. The film clocks in at 1 h and 43 m and is rated R for sexual content, language, brief drug use and brief graphic nudity.  Please note there are SPOILERS in this review. 

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and I check out ANATOMY OF A FALL (2023), which is still in theaters, coming soon to streaming and to buy/rent on Prime Video.  From director Justine Triet and a script by Justine Triet and Arthur Harari, the film follows Sandra (Sandra Hüller) who at the start of the film is being interviewed by a student but then has to reschedule because of her husband.  Shortly after, her partially blind son, Daniel (an outstanding performance by young actor, Milo Machado-Graner), comes home and finds his father dead in front of their home.  After an investigation, Sandra soon finds herself facing homicide charges.  From here the film turns into a legal drama as witnesses and experts all weigh in on what happened.  Daniel insists on testifying but finds himself conflicted and confides in the court appointed monitor, Marge, who gives him some good advice.  This is a five time Oscar nominated film for Best Original Screenplay (Justine Triet and Arthur Harari), Best Performance by an Actress in a Leading Role (Sandra Hüller), Best Director (Justine Triet), Best Achievement in Film Editing (Laurent Sénéchal) and Best Picture of the Year nominee at the upcoming Academy Awards.  This film clocks in at 2 h 31 m and is rated  R.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and Monsters join me in reviewing ROBOT DREAMS (2023), from writers Pablo Berger and Sara Varon, the film is directed by Pablo Berger.  The film follows Dog, who while living in New York in the 80s, decides to purchase a Robot to offset some of the loneliness in their life.  Once they connect, the two get to know each other and have adventures and a lovely friendship blossoms.  On an excursion to the beach, Dog forgets to bring anything to protect Robot and soon Robot is rusted solid and immovable on the beach.  After several failed attempts and with Robot's blessing, Dog leaves but vows to come back when the beach reopens.  However in their time apart their paths change dramatically.  The film clocks in at 1 h and 42 m and is not rated but there's nothing objectionable and we'd say it can appeal to anyone and okay to view by general audiences (PG).  Please note there are SPOILERS in this review. 

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and I check out MAY DECEMBER (2023), which we caught on Netflix.  From director Todd Haynes and a script by Samy Burch and story by Samy Burch and Alex Mechanik, the film is loosely based on the Mary Kay Letourneau story from the 1990s.  In this version, actress Elizabeth (Natalie Portman) is going to spend time with a couple who endured in spite of the scandal that their relationship created. Grace (Julianne Moore) first meets Joe when he is a 12 year old and proceeds to have a sexual relationship with him.  She ends up in jail but when she gets out Joe is there and they marry.  Years later, Elizabeth goes to shadow the family as she wants to get more insight into the players of this story.  Joe is now an adult (played by Charles Melton) and over the period of time she is there and through Elizabeth's POV we get access to a small part of the story and the audience can infer many things from the scenes presented.  Absolutely brilliant performances from the leads and a compelling story make this a worthwhile investment.  This is an Original Screenplay nominee at the upcoming Oscars.  This film clocks in at 1 h 57 m and is rated  R.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and Monsters join me in reviewing ELEMENTAL (2023), which we caught on Disney+.  Written by John Hoberg, Kat Likkel and Brenda Hsueh; the film is directed by Peter Sohn.  The film follows Ember (Leah Lewis) a resident of Element City where fire/water/earth and air live together.  Her parents came from abroad for a better life for themselves and their baby to be (Ember).  She grows up healthy and happy and as she reaches maturity is on the path to inherit her father's business, a busy little general store that services the neighborhood.  We come to know that Ember has a short fuse but as the story progresses we find out exactly why that is.  When Wade (Mamoudou Athie) comes into her life, Ember realizes she has to be more authentic and true to herself in order to live her best life.  The film clocks in at 1 h and 41 m and is rated PG.  Please note there are SPOILERS in this review. 

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and I check out NAVALNY (2022), which we caught on the Max.  From director Daniel Roher, the film tells the story of the late Alexei Navalny, the Russian opposition leader, lawyer and political prisoner.  The documentary follows the events a little before the lethal nerve agent poisoning during August 2020.  Having the plane he was on diverted may have led to his surviving the attempt on his life.  After being transported to Germany to get medical attention, he also delves into piecing together who was behind his assassination attempt.  Many shocking discoveries come to light and Navalny makes the decision to return back home.  The story is intercut with candid conversation where Navalny is asked what his message would be if he were to pass away before accomplishing his goals.  His answer is moving, poignant and illuminating.  This is a winner for Best Documentary Feature (2023) and is a MUST WATCH.  This film clocks in at 1 h 39 m and is rated  R.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and Monsters join me in reviewing MARRY ME (2022), which we caught on the Starz app but you can buy/rent from several platforms.  Written by John Rogers, Tami Sagher and Harper Dill; the film is directed by Kat Coiro.  The film follows Kat Veldez (Jennifer Lopez) who on the day of her wedding to fellow popstar, Bastian (Maluma), finds out that he's been cheating on her so Kat then decides to marry someone in the audience, Charlie (Owen Wilson).  They then work backwards from their marriage to falling in love.  The film clocks in at 1 h and 52 m and is rated PG-13.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and I check out HAROLD AND MAUDE (1971), which we caught on the TCM app.  From director Hal Ashby and writer Colin Higgins, the film tells the story of Harold (Bud Cort), a rich, young man who is obsessed with death and creating macabre scenes to elicit a response from his mother (played by Vivian Pickles).  He meets with a shrink regularly and indulges in his favorite pastime, attending funerals.  It is here that he meets 79 year old Maude (Ruth Gordon), a woman who may not have had the easiest life but who has nonetheless grabbed life with both hands and really lived it to the fullest.  The more that Harold gets to know her, the more we as a viewer see him change.  At its core its a love story about very different people finding each other and forming a wondrous bond and enjoying their precious time together.  In keeping with tonight's theme of very different takes on the love story, this film clocks in at 1 h 31 m and is rated  PG.  Please note there are SPOILERS in this review.

This episode of the podcast is dedicated to one of my oldest friends, a fantastic woman, an awesome friend and all around A1 human being - the lovely and amazing Suzette on her belated birthday. Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and Monsters join me in reviewing ETERNAL SUNSHINE OF THE SPOTLESS MIND (2004), which we caught on the TCM app but you can buy/rent from several platforms.  Written by Charlie Kaufman, Michel Gondry and Pierre Bismuth and winner of the 2005 Original Screenplay Oscar, this film is directed by Michel Gondry.  The story follows Joel (Jim Carrey), a painfully shy man who meets a free spirited young woman named Clementine (Best Actress Nominee, Kate Winslet).  They fall in love but eventually their relationship withers and dies.  Clem decides to have Joel completely erased from her memory and when he finds out he opts to do the same out of hurt and spite.  In the process, he realizes the error and tries to come up with a way to stop it but it might just be too late.  A powerful script with brilliant acting and sublime directing by Gondry make this a MUST WATCH.  The film clocks in at 1 h and 48 m and is rated R.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and I check out RUSTIN (2023), which we caught on Netflix.  From director George C. Wolfe and writers Julian Breece and Dustin Lance Black, the film tells the story of Bayard Rustin (Colman Domingo, who is in contention for the Best Actor Oscar at this year's Academy Awards), the main architect and organizer of the 1963 March on Washington.  While battling racism and homophobia, Rustin channels his power for the greater good and gets to work on organizing the largest peaceful protest in the service of furthering the civil rights movement.  Chris Rock, Glynn Turman, Aml Ameen, Gus Halper, Johnny Ramey, CCH Pounder, Michael Potts, Audra McDonald and Jeffrey Wright (also up for a Best Actor Oscar for his turn in AMERICAN FICTION) round out the star studded cast.  The film clocks in at 1 h 46 m and is rated  PG-13.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and Monsters join me in reviewing THE HOLDOVERS (2023), which you can find for streaming on Peacock.  Written by David Hemingson and directed by Alexander Payne, the film follows Paul (Paul Giamatti), who's asked to watch the holdovers, kids with nowhere to go over the Christmas break.  The group of kids diminishes when a parent comes to pick up their child and offers the other kids an invite but since Angus' (Dominic Sessa) mom doesn't consent because they can't get in touch with her, Angus must stay with Paul and the cafeteria manager, Mary (Da'Vine Joy Randolph.  They stay on the school premises for the next few days and in this short time, the three form a bond that will change them by the story's end.  Shout out to my buddy Zach for the recommendation.  The film clocks in at 2 h and 13 m and is rated R.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and I check out QUIZ LADY (2023), which we caught on Hulu.  From director Jessica Yu and writer Jen D'Angelo, the film follows Anne Yum (Awkwafina) a young, introverted woman whose mother has run away and is being shaken down to pay off her mother's debts.  Anne enlists the help of her estranged sister Jenny (Sandra Oh) to help with the mother's gambling debts and to also recoup her dog Mr. Linguine.  Will the sisters overcome the rift between them?  The film clocks in at 1 h 44 m and is rated  PG-13.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and Monsters join me in reviewing FROZEN (2013), which you can find for streaming on Disney+.  Written and directed by Chris Buck and Jennifer Lee, and loosely based off Hans Christian Andersen's "The Snow Queen," the film follows sisters, Anna (Kristen Bell) and Elsa (Idina Menzel) who from tragedy grow apart but rediscover the other after their parents deaths and as Elsa is to be crowned the new Queen of Arendelle.  Things go wrong and Elsa flees but not before casting an eternal winter on the land.  Anna, now having a better understanding of her sister, chases after her to let her know that she isn't alone and that together they will fix things.  Will Anna get to Elsa in time and convince her that together they are stronger?  Fantastic voice acting, a remarkable soundtrack, a strong story and stunning visuals make this one of Disney's new classics and rightly so.  This film was a winner for Best Animated Feature Film of the Year and Best Achievement in Music Written for Motion Pictures, Original Song at the 2014 Academy Awards.  The film clocks in at 1 h and 42 m and is rated PG.  Please note there are SPOILERS in this review.

This episode is dedicated to Miss Stephanie - happy belated birthday Sister - love you XOXO

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and I check out AMERICAN SYMPHONY (2023), which we caught on Netflix.  From director Matthew Heineman, the film follows musician, Jon Batiste, through a period in his life where he's approaching the Grammy awards where he happens to be nominated 11 times and is working on a new music project to be entitled AMERICAN SYMPHONY while also dealing with his wife's, Suleika Jaouad, cancer treatments.  The film is heartbreakingly beautiful in recording the ups and downs in the lives of Jon and Suleika as they face their battles and tackle big events with grace, strength and so much love.  This film is a nominee for Best Music (Original Song) at the 2024 Academy Awards.  The film clocks in at 1 h 44 m and is rated  PG-13.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and Monsters join me in reviewing THE PRINCESS BRIDE (1987), which you can find for streaming on Disney+.  Directed by Rob Reiner, from a script by William Goldman from his 1973 book of the same name, the film follows a young boy (Fred Savage) who is home sick in bed getting a visit from his grandpa (Peter Falk) who comes bearing a gift - a book!  In the book is a tale of heroes, giants, villians, wizards and true love.  Heading up the cast is Cary Elwes as Westley, a farm hand in love with Buttercup (Robin Wright).  He goes off to make his fortune and news returns that his ship was captured by the Dread Pirate Roberts who leaves no one alive.  Buttercup is utterly crestfallen and eventually agrees to a marriage with Prince Humperdinck (Chris Sarandon).  However, right before the wedding she is abducted by the villainous Vizzini (Wallace Shawn) and his henchmen Iñigo Montoya (Mandy Patinkin) and Fezzik ( André René Roussimoff/Andre the Giant), who have plans of their own.  Will Buttercup get stuck in a loveless marriage with Humperdinck?  Who's the masked man in black tailing Vizzini, Iñigo, Fezzik and Buttercup?  Is Westley really dead?? You have to watch to find out.  This film clocks in at 1 h and 38 m and is rated PG.  Please note there are SPOILERS in this review.

Our artwork is usually lifted from IMDB but tragically this film has awful posters but the gorgeous poster used in the video is from Ise Ananphada (https://iseananphada.com/) - check out the site!

This episode is dedicated to Aunt Erica on her born day - we heart you and will see you soon XOXO

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and I check out THE KILLER (2023), which we caught on Netflix.  From director David Fincher, from a script by Andrew Kevin Walker, the film is based on the graphic novel series "The Killer" by Alexis Nolent that was illustrated by Luc Jacamon.  The film follows a nameless assassin (Michael Fassbender), who we see at the start, already on a job and who is killing time until the mark makes an appearance.  When the mark finally does, the Killer makes a mistake and must then deal with the repercussions of that mistake.  The film clocks in at 1 h 58 m and is rated  R.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and Monsters join me in reviewing WINGWOMEN (2023), which you can find for streaming on Netflix.  Directed by Mélanie Laurent, from a script by Mélanie Laurent, Christophe Deslandes and Cédric Anger; the film is based off the comic, "La Grande Odalisque," from comic creators Jérôme Mulot, Florent Ruppert and Bastien Vivès.  Much like the comic, the film focuses on Carole (played by Laurent) and Alex (Adèle Exarchopoulos), 2 thieves with a long history who've grown tired of the game and want to get out.  They go to speak with their boss, the Godmother (Isabelle Adjani) who is not pleased to lose her best team and in particular, Carole.  Carole wants out for reasons made clear early in the story but they agree to one last job and recruit Sam (Manon Bresch) to help them on their last score.  This film clocks in at 1 h and 56 m and is rated TV-MA.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and I check out MOONSTRUCK (1987), which we caught on the TCM app but you can also find on PlutoTv, Roku Channel and to buy/rent on Prime Video.  From an Academy Award winning script from John Patrick Shanley, the film is directed by the legendary Norman Jewison.  The film follows Loretta Castorini (Cher, in an Oscar winning turn) a straightlaced, bookkeeper from Brooklyn who's accepted her boyfriend, Johnny's (Danny Aiello), marriage proposal.  Immediately after, Johnny is Italy bound to see his dying mother but before he boards the plane, he asks Loretta to contact his brother, Ronny (Nicolas Cage) and invite him to the wedding.  The phone call doesn't go as planned so Loretta seeks out Ronny at the bakery he works at.  They leave to talk, she makes him a steak and soon discovers there is a spark between them.  Rounding out the cast is Olympia Dukakis (in her supporting Oscar winning role) as Loretta's mother, Rose; Vincent Gardenia as her father, Cosmo; and Julie Bovasso and Louis Guss as her Aunt Rita and Uncle Ray.  The film is a true snapshot of NY in the 80s and a sweet trip down memory lane.  The strong writing and outstanding performances still hold up and make this a worthwhile investment of your time.  The film clocks in at 1 h 42 m and is rated  PG.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and Monsters join me in reviewing WHISPER OF THE HEART (1995), which you can find for streaming on Max.  Directed by Yoshifumi Kondô, from a script by Hayao Miyazaki and Aoi Hiiragi (comic), the film follows Shizuku Tsukishima, a young girl who loves reading books and writing stories as she discovers through the library cards in her books, that a certain someone had previously also checked out all the books she's selected.  This is a fantastical love and coming of age story full of the Studio Ghibli magic we've come to expect from Miyazaki and the storytellers and creators from Ghibli.  This film clocks in at 1 h and 51 m and is rated G.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and I check out AFTER YANG (2021), which we caught on Prime Video.  From the short story "Saying Goodbye to Yang" from the book "Children of the New World" by Alexander Weinstein, the film is directed by Kogonada, from a script by Alexander Weinstein and Kogonada.  The film follows as a family has to deal with the aftermath of the breakdown of a beloved AI helper named Yang (Justin H. Min) who's an integral part of their family.  The father, Jake (Colin Farrell) goes on a quest to get Yang fixed for his daughter Mika (Malea Emma Tjandrawidjaja) who sees Yang as a brother.  Along the way he discovers that Yang has had a very rich life and he and his wife Kyra (Jodie Turner-Smith), must make some hard choices about Yang and are forced to face the devastating loss.  The film clocks in at 1 h 34 m and is rated  PG.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and Monsters join me in reviewing THE CREATOR (2023), which you can find for streaming on Hulu.  Directed by Gareth Edwards, from a script by Gareth Edwards and Chris Weitz, the film follows Joshua (John David Washington), a secret agent who's been asked to infiltrate a group in New Asia in order to find The Creator.  His mission is compromised and he tries to salvage things but in an instant loses his wife and unborn child.  Years later he finds himself pulled back into the human and robot AI wars when he's brought intelligence that shows his wife is still very much alive and to get to her, he will have to join this new mission with the objective of destroying The Creator's secret weapon.  This film clocks in at 2 h and 13 m and is rated PG-13.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and I check out REMEMBER THE NIGHT (1939), which we caught on TCM but is currently streaming on Plex.  From writer Preston Sturges, the film is directed by Mitchell Leisen.  The film follows as Lee Leander (Barbara Stanwyck) gets caught for shoplifting right before the Christmas Holidays.  In a rush to leave and get his holiday travel going, attorney John Sargent (Fred MacMurray) gets the trial postponed but then feels sorry for her and arranges for bail to post.  Original plans are abandoned and John winds up bringing Lee home with him for Christmas.  Surrounded by John's loving mother (Beulah Bondi), aunt (Elizabeth Patterson) and a young man who lives and works at the house, Willie (Sterling Holloway); Lee and John start to fall in love.  The film clocks in at 1 h 34 m and is unrated on IMDB but we'll say its PG.  Please note there are SPOILERS in this review. Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which Kid 2 joins me in reviewing EXmas (2023), a Freevee original movie directed by Jonah Feingold, from a screenplay by Dan Steele.  This is the story of Graham (Robbie Amell) who decides he'll surprise his family for Christmas after initially saying he wouldn't be coming home for the holidays.  Much to his dismay, on arrival he realizes his family has invited his ex-fiancee, Ali (Leighton Meester), and soon they engage in a battle of one-upmanship to see who the family loves best.  A weak script and no chemistry between the leads makes this a PASS.  This film clocks in at 1 h and 33 m and is rated PG-13.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and I check out THE MUPPETS CHRISTMAS CAROL (1992), which we caught on Disney+ and Hulu but you can buy/rent on Amazon Prime Video.  From writer Charles Dickens, the film is directed by Brian Henson, with screenplay credit to Jerry Juhl.  This is the classic Dickens story of how Ebenezer lost his Christmas spirit but then recovers it after being visited by his old business partners Jacob and Robert Marley, who've come to see him and warn him about changing his ways at the holidays as he's going to be visited by three ghosts.  The film clocks in at 1 h 25 m and is rated G.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and Monsters join me in reviewing A CHRISTMAS CAROL (1951) which you can find on Plex but also to buy/rent on Prime Video. Directed by Brian Desmond Hurst, from the screenplay by Noel Langley and comes from Charles Dickens classic tale of the same name.  This is the story of Ebenezer Scrooge (Alastair Sim), who's lost his humanity but is then visited by the ghost of his old business partner, Jacob Marley (Michael Horden), who's come to warn him that he should be a cautionary tale for Ebenezer and thats Ebenezer is in a race against time to change his ways, otherwise he will face an unspeakable eternity.  He foretells the coming of 3 ghosts that will visit Ebenezer, with a lesson to be learned from each.  This film clocks in at 1 h and 26m and is rated TV-PG.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and I check out KRAMPUS (2015), which we caught on the TCM app but you can catch on Peacock, TBS, TNT and to buy/rent on Amazon Prime Video.  From writers Todd Casey, Michael Dougherty and Zach Shields, the film is directed by Michael Dougherty. When the bickering of a young boy's family causes him to lose faith in Christmas he unwittingly brings forth an ancient spirit that is anything but merry. The film clocks in at 1 h 38 m and is rated PG-13.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and Monsters join me in reviewing ARTHUR CHRISTMAS (2011) which you can find on Max,. Prime Video, TBS and TNT but also to buy/rent on Prime Video. Directed by Sarah Smith and Barry Cook, from the screenplay by Peter Baynham and Sarah Smith and is brought to viewers by production companies Columbia Pictures, Sony Pictures Animation and Aardman Animations.  The unthinkable happens when Santa and his heir apparent fail to deliver a child their gift. The only man willing to correct this mistake is Santa's other son, Arthur, who embarks on a wild quest to make sure no child wakes up to disappointment on Christmas Day.  This film clocks in at 1 h and 37m and is rated PG.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and Monsters join me in reviewing CHRISTMAS WITH THE KRANKS (2004) which you can find on AMC+ or on Prime Video. Directed by Joe Roth, from John Grisham's novel and screenplay by Chris Columbus' the film follows Luther and Nora Krank (Tim Allen and Jamie Lee Curtis), who decide to skip Christmas when their only daughter decides to join the Peace Corp and not spend the holidays home. They encounter pushback from friends, colleagues and neighbors but are committed to their Caribbean cruise until they get a call from their daughter, Blair (Julie Gonzalo) saying she will indeed be back home in a day to celebrate with her family and their annual Christmas shindig. A dull script and uninteresting characters make this movie a pass. Instead we recommend checking out IT'S A WONDERFUL LIFE (Amazon Prime Video/Hulu/Plex/Roku Channel/Sling TV)

A CHRISTMAS STORY (Max, Hulu/Amazon Prime Video/TNT/TBS/Sling TV)

KLAUS (Netflix)

8-BIT CHRISTMAS (Max/TBS/TNT) any Hallmark Holiday movie This film clocks in at 1 h and 39 m and is rated PG. Please note there are SPOILERS in this review. Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

In which the Mister and I check out THE MAN WHO CAME TO DINNER (1954), which we caught on the TCM app but you can catch on Max and to buy/rent on Amazon Prime Video.  From director William Keighley and from George S. Kaufman and Moss Hart's stage play, the screenplay credit for the film goes to Julius J. and Philip G. Epstein.  The film follows Sheridan Whiteside (a MAGNIFICENT Monty Woolley), a very popular and revered critic who is making a quick stop with his assistant, Maggie (Bette Davis in a comedic turn), in a Midwestern town to have dinner with the Stanleys (Billie Burke and Grant Mitchell).  While entering the Stanley home, Monty slips on some ice and hurts his hip.  In a huff, he takes over the Stanley house and proceeds to terrorize the Stanley family (although later he eases up and even befriends the Stanley children, June and Richard, played by Elizabeth Fraser and Russell Arms).  However, when Bert Jefferson (Richard Travis) enters the picture and Maggie decides she's in love with him and willing to resign her employment with Sheridan, he goes on the offensive quickly with a crazy scheme to break up the 2 lovebirds.  Will love prevail?  Will Christmas be ruined?  You'll have to watch but we don't think the film disappoints and HIGHLY RECOMMEND.  The film clocks in at 1 h 52 m and is not rated on IMDB but think it's definitely a G for general audiences.  Please note there are SPOILERS in this review.

This episode of the pod is dedicated to my husband, father of my children, partner in crime and better half - happy happy on your special day my love! I love my life with you!

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and I check out MAGNIFICENT OBSESSION (1954), from director Douglas Sirk and from Lloyd C. Douglas' novel of the same name.  There was a 1935 film which shared screenplay credits to Sarah Y. Mason, Victor Heerman and Finley Peter Dunne.  This 1954 version also has a screenplay credit to Robert Blees and an adaptation credit to Wells Root.  In this version, Bob Merrick (Rock Hudson) is a spoiled rich young man who's carelessness leads to an accident that takes resources away from someone else who dies.  While recovering, Bob meets Helen (Jane Wyman), who at first is unaware that she is the dead man's widow but soon falls in love with her.  In his earnestness, he causes an accident that takes away her sight.  Now completely remorseful, Bob tries to follow in Dr. Phillips' example to be righteous and virtuous.  The film clocks in at 1 h 48 m and is not rated on IMDB.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and Monsters join me in reviewing THE INVISIBLE MAN (1933) which we caught on the TCM app or currently to buy/rent on Prime.  Directed by James Whale, from H.G. Wells' novel, a screenplay by R.C. Sherriff and uncredited screenplay credits to Preston Sturges and Philip Wylie.  The story revolves around Dr. Griffin (a deliciously demented Claude Rains in his first speaking role), who's found a formula that enables him to be invisible which he plans to use to gain fame and fortune and to be worthy of Flora (Gloria Stuart), but in the process starts to succumb to a madness linked to an ingredient used in the formula.  A true gem in the history of cinema and one of the stronger entries in the Universal Monsters films.  The film clocks in at 1 h and 11 m and is rated Approved according to IMDB.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and I check out LA PÍCARA SOÑADORA (1956), an Argentinean production from director, Ernesto Arancibia; from a script by Abel Santa Cruz and which starred Mirtha Legrand, Alfredo Alcón, Amalia Sánchez Ariño and Ricardo Galache.  The story revolves around Silvia (Legrand, who as of this date is still with us), a young woman who works in the toy section of the famed Gándaras department stores.  In order to make ends meet, she convinces her Godfather to let her "live" in the department store at night while she studies to be a lawyer.  During the night she studies but also lives a fantastical life as she dreams in beautiful frocks throughout every part of the store.  One day she meets Freddy (Alcón), who, unbeknownst to her is the heir to the department store family owners   He is completely smitten and captivated by her and soon concocts a plan to get to be in her orbit.  The film clocks in at 1 h 18 m and is not rated on IMDB but we think it's definitely a G for all audiences to enjoy.  Please note there are SPOILERS in this review.

This episode of the podcast is dedicated to Christina D on her big birthday - it is a privilege, an honor and blessing to know you - stay golden!

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and Monsters join me in reviewing RICH IN LOVE (2020) which we caught on Netflix.  Directed by Bruno Garotti, Jessica Blue and Anita Barbosa from a script by  Bruno Garotti and Sylvio Gonçalves; the film follows Teto (Danilo Mesquita), a very spoiled rich kid who's had a charmed life and everything handed to him without much effort.  That all changes when he meets Paula (Giovanna Lancellotti), a laser focused young woman who's in a pre-med program with aspirations of being a force for good in the world.  When she rebuffs him, he sets out to prove to her he's worth a shot but a little lie soon spirals out of control.  The film clocks in at 1 h and 44 m and is rated TV-14.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and I check out YOU ARE NOT MY MOTHER (2021) which you can stream on Hulu.  From writer/director Kate Dolan, the film follows Char (Hazel Doupe), a young woman who's living with her Grandmother (Ingrid Craigie) and Mother (Carolyn Bracken).  Her mother suffers from depression and after a tense scene in the car, Char storms away but then later discovers the empty car.  The police are called in and a missing persons report is put in but a few days later her mother comes back but something is off.     Very moody, tense and atmospheric, this film was an absolute treat and we recommend it.  The film clocks in at 1 h 3 m and is not rated on IMDB but we think the drama and horror definitely make this a PG-13.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and Monsters join me in reviewing THE HOST (2006) which we caught on the Showtime app.  Directed by Bong Joon Ho, from a script by Bong Joon Ho, Won-jun Ha and Chul-hyun Baek; the story follows a family on a race against time, trying to save their daughter/niece from a strange monster that's been lurking right under the Han River's surface.  Commentary on government, how we're hurting the local wildlife and a family drama are all wrapped up within a monster movie - chef's kiss.  A solid script, amazing VFX work and great performances make this a must watch.  The film clocks in at 2 h and is rated R.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and I check out ANT-MAN AND THE WASP: QUANTUMANIA (2023) which you can stream on Disney+.  From director Peyton Reed, and writing credits to Jeff Loveness, Stan Lee and Larry Lieber.  This third film in the Ant-Man storyline follows Scott Lang (Paul Rudd) and his extended family getting dragged into and separated in the Quantum Realm, which holds many secrets for Janet (Michelle Pfeiffer) and introduces the Langs (Kathryn Newton as Cassie) and the Van Dynes (Evangeline Lilly as Hope and Michael Douglas as Hank) to a new ominous threat named Kang (Jonathan Majors).  Another film with amazing VFX work, a solid story and great performances make this a treat.  The film clocks in at 2 h 4 m and is rated PG-13.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and Monsters join me in reviewing LIGHTYEAR (2023) which is available to stream on Disney+.  Directed by Angus MacLane, from a script by Angus MacLane, Matthew Aldrich and Jason Headley; the story follows space ranger, Buzz Lightyear (Chris Evans), who spends decades trying to fix a mistake while everyone around him learns to adapt and accepts their new normal.  After many failed solo attempts, Buzz learns to let go a little and relies on Izzy (Keke Palmer), Sox (Peter Sohn), Mo (Taika Waititi) and Darby (Dale Soules) to complete the mission but also create an extended family that he comes to cherish as they face off against the evil Zurg (James Brolin).  Voice work from Uzo Aduba, Mary Donald-Lewis, Isiah Whitlock Jr, Bill Hader, Efren Ramirez, Keira Hairsont and Angus MacLane (yes the director) round out the cast.  It's a nice companion piece and origin story for the Buzz Lightyear toy (Tim Allen) we see in the TOY STORY series.  A solid script, amazing VFX work and strong voice acting make this a must watch.  The film clocks in at 1 h 45 m and is rated PG.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister, Uncle Jay and I check out GAMER (2009) from writers/directors Mark Neveldine and Brian Taylor.  Ken Castle (Michael C. Hall) is an egregiously rich and powerful gaming creator whose games deal in exploitation - whether as a user or as a surrogate immersed in a shooter world where the stakes are high.  A mediocre script that missed an opportunity to really deep dive into some interesting ethical questions and social commentary.  The best part of the watch was hanging with Uncle Jay!  Check out PADDINGTON 2 instead.  The film clocks in at 1 h 35 m and is rated R.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library 

In which the Mister and Monsters join me in reviewing FIVE NIGHT AT FREDDY'S (2023) which is available in theaters and is streaming on Peacock.  Directed by Emma Tammi, from a script by Emma Tammi, Seth Cuddeback and Scott Cawthon; the story follows Mike (Josh Hutcherson) a young man with a tragic history who's been forced to grow up quickly and is is raising his younger sister, Abby (Piper Rubio).  A job opportunity comes his way that he can't refuse which introduces him into the strange world of Freddy Fazbear and its animatronic residents.  The film is doing gangbusters in the theater and streaming and is a decent PG-13 entry in the horror genre.  The film clocks in at 1 h 49 m and is rated PG-13.  Please note there are SPOILERS in this review.

Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library